Repair first
We look at the frame, springs, foam and covering separately. If a joint is loose, new cloth will not save it. The honest sequence is inspect, repair, then recover — only if the piece is worth it.
Keep the character, replace only what has failed
Antique and character furniture wants a lighter hand. Original show-wood, old horsehair, hand-tied springs and a fabric with a history should not all disappear under a modern wrap unless that is what you asked for. We restore seating so the piece still looks like itself.
That can mean traditional fillings where they belong, or a sympathetic foam where the old filling is gone to dust. The conversation is always: what should stay, and what is no longer doing its job.
We look at the frame, springs, foam and covering separately. If a joint is loose, new cloth will not save it. The honest sequence is inspect, repair, then recover — only if the piece is worth it.
Some modern frames are chipboard. Some hides are finished. We would rather say a piece is not worth covering than take a recover that fails in months.
Covering off without destroying a frame that has already been repaired twice.
Springs, webbing and fillings restored in a way that suits the period of the piece.
Cloth that honours the furniture — not a harsh modern vinyl unless you want that contrast.
Edges and legs respected; upholstery stopped where timber should show.
A clear path from first pictures to workshop finish — so you always know what happens next.
What it is, how old you think it is, and what you want to keep.
Frame, previous repairs, worm, and whether it is worth the work.
Traditional versus practical modern internals, confirmed before we start.
Workshop work paced for the piece, not rushed like a contract recover.
What this service does well — and what to weigh up before you commit.
Tell us about the piece — we’ll reply with practical next steps from the Hayes workshop.